Authors
- Ardath Albee
- Britta Alexander
- Jason Amunwa
- Gary Arlen
- Jay Baer
- Bob Bailey
- Newt Barrett
- Andy Brown
- Daniel Burstein
- Jen Byck
- Jep Castelein
- Matt Chamberlin
- Michael Chotiner
- Jim Cosco
- Douglas Davidoff
- Will Davis
- Barry Densa
- Bill Duggan
- Andrea Fjeld
- Robert Freedman
- Barbra Gago
- Ann Getman
- Abigail Gilmore
- Gabe Goldberg
- Alec Green
- David Grossman
- Kristina Halvorson
- Suzanne Harris
- Bill Harrison
- Rick Holton
- Harry Hoover
- Beth Hrusch
- Raza Imam
- Hogan Jasra
- Lorraine Jenkins
- Josh Kamensky
- Jonathan Kantor
- Doug Kessler
- Raj Khera
- Angie King
- Kirsten Knipp
- Wiep Knol
- Peter Korchnak
- Patsi Krakoff
- Dan Levy
- Rick Liebling
- Lise Lingo
- Michele Linn
- Heather Lloyd-Martin
- Mindy Long
- Scott Loring
- Ian Lurie
- Jonathan Maziarz
- Austin McCraw
- Mac McIntosh
- Paul McKeon
- Bob McLain
- Drew McLellan
- Kate McMillan
- Ken Norkin
- B.L. Ochman
- Lee Odden
- Sally Ormond
- Andrew Palmer
- Gyutae Park
- Brian Platzer
- Gordon Plutsky
- Alan Porter
- Magnificent Publications
- Joe Pulizzi
- Howard Rauch
- David Reich
- Daniel Richter
- Dean Rieck
- Leslie Rigby
- Paul Rockower
- Martha Romans
- Robert Rose
- Linda Schuck
- Brad Schwarzenbach
- Nancy Scola
- David Meerman Scott
- Andy Sernovitz
- Karen Sheff
- David Sherwin
- Smithsonian
- Henry Stimpson
- Michael Sweeney
- Paula Tarnapol
- Stephanie Tilton
- Katy Tomasulo
- David Vespremi
- Daniel Volin
- Jenny Warden
- Jason Warshof
- Selena Welz
- Keith Wiegold
- Christine Zender
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What Should a Project Cost?
Fairly often, prospective clients want to see our rate structure before they even begin to discuss work with us. It’s reasonable of them: why spend time hashing out the details of a project if the consultant’s rates are completely out of line with what you can spend? And do they know if they’re asking for the right services?
For a long time we could say nothing to such clients except that the price of a writing or editing job can vary tremendously based on the details. What kind of professionals will we need to engage? What kind of work needs to be done, exactly? (See, for example, the common confusion that arises with the term “proofreading.”)
This fall, though, we put our heads together and developed a list of 10 Questions to Ask Your Communications Consultant. Most of our standard answers to those questions (when standard answers are possible) can be found on the same page, along with a glossary defining what we mean when we say “proofreading,” “copy editing,” or “line editing.” Try it yourself: pick your top candidates for a project (maybe in-house staff along with some vendors) and get them to submit their responses to the 10 questions in writing, along with a single dollar figure. Then compare the responses.